This Floating Excrement Was Way Too Meaningful! It's the Television Disappointments of the Past Year.

Looking back, we consider the TV landscape of the past year, a selection of series emerge not for their brilliance, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that had us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with dreadful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the final series began, it looked like it had finally found its groove. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans certainly found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's issues. The recipient of a very rare zero star review, it was hard to know where to start listing the flaws. The laughably leaden dialogue? The mind-numbing glorification of wealth and materialism? The almost wilful procession of cliches? Acting so bad they felt almost spiteful? Let’s just say “each and every one” and forget about this show again. However, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but flippant narcissist.

The Iris Affair

Naturally we knew it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge unconvincing accents. But there were many other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various cockney rogues which seemed rather simplistic.

With Love, Meghan

Considering the extent to which she grinds the gears of certain performatively angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into twee lifestyle as intentional provocations. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with delusions of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series opted not to say them. Instead, the experience was akin to consuming a marketing brochure. She clearly has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was straining desperately to live up to something far greater than it.

Too Much

How do you succeed a show that captured a generation? The pressure was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have remained in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from strangely breezy, slightly stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We love the star … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? No! This international thriller about government agencies spying on – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual exploits as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Adrian Blake
Adrian Blake

Lena Visser is a vintage enthusiast and curator, sharing her passion for unique finds and sustainable shopping.